Television is often cited as a cause of violent crime or behaviour. Usually, this connection is made in the context of the behaviour of young people - as another way of blaming them for the broader ills of society. It is rare, however, for even a single reference to television to be included in the index of reports on juvenile crime. Television, it seems, is presented as an increasingly influential force in society, even though there has been scant discussion on how it really influences the behaviour of young people. Brian Simpson seeks to redress the balance and investigates why television has become a welcome scape-goat.
We Were in the Big One: Experiences of the World War II Generation by Mark P. Parillo, ISBN 0842027971
To the generation that lived through it, World War II will always be the "Big One." Archie Bunker would proudly proclaim in the 1970s sit-com All in the Family, "I was in the Big One, Double-ya, Double-ya Two." In doing so, he intoned the creed of his generation. In the generations that have followed, there has been renewed interest in this period, evidenced by the popularity of movies like Saving Private Ryan and the television series Band of Brothers. World War II was truly the largest and greatest conflict in U.S. history. Americans spent more tax dollars, joined the armed forces in greater number, fought in more places, and waged war as part of a grander alliance than in any other war in the country's past. We Were in the Big One: Experiences of the World War II Generation is a collection of diary entries, letters, photographs, and other documents from the World War II era. Carefully selected by Mark P. Parillo from the Eisenhower Library's World War II Participants Collection and other...
We Were in the Big One: Experiences of the World War II Generation by Mark P. Parillo, ISBN 0842027971
Discount big screen television > We Were in the Big One: Experiences of the World War II Generation by Mark P. Parillo, ISBN 0842027971
Revolution Televised: Prime Time and the Struggle for Black Power
After a decade-long hiatus, African-Americans once again began appearing regularly on television in the 1960s. This book deftly illustrates how black television artists operated within the constraints of the television industry to resist and ultimately shape the mass media's portrayal of African-American life.
Revolution Televised: Prime Time and the Struggle for Black Power
Discount big screen television > Revolution Televised: Prime Time and the Struggle for Black Power